Metropolitan

Aleksander Nowak+47 45463244 (Norway)+48603063611 (Poland)[email protected]

DZIELNICA EKOLOGICZNAInynierska praca dyplomowa pod kierunkiem dr. hab. in arch. Roberta Asta / Autor: Aleksander Nowak

Region Rogaland Gmina Sandnes

40 m

40 m

40 m

40 m

40 m

40 m

60 m

60 m

u. publicznej

prywatne

Niska zabudowa mieszkanowa

Uytecznoci publicznej

Komercyjne/Biznes

Komercyjne wysokie/Biznes

redniowysoka zabudowa mieszkaniowa

N

h=40 m

h=30 m 45 m

25 m

Centrum/Fiord

Rondo gwne

Park

Rondo/Domy jednorodzinne

Do szkoy

Most

Centrum/Fiord

Supermarket

Dworzec

P1

P3

P4

P5

Droga poarowa/dostp tylko dla pojazdw uprzywilejowanych

Drogi wewntrzneWjazdy do parkingw podziemnych

1:10000

Niska zabudowa / mieszkalne

Wysza zabudowa / przemys

35m

25m

30m

NOWE CENTRUM

STARE MIASTO

NISKA ZABUDOWA/MIESZKALNE

WYSZA ZABUDOWA/PRZEMYSOWE

35m

25m

30m

Plan rozwoju Sandnes 2007- 202022.01.2007

Komunikacja: plan rozwoju Ziele: plan rozwojuTereny zielone i szlaki piesze

Obszary zazielenione

Obszary wyczone z ruchu drogowego- deptaki

Szlaki piesze

Granica opracowania

Wane miejsca zielone

Analiza wysokoci zabudowy wok dziaki, 1:20000

Analiza zbiorcza, 1:20000

1:100001:10000



40 m

40 m

40 m

40 m

40 m

40 m

60 m

60 m

u. publicznej

prywatne



Komercyjne/Biznes



N

h=40 m

h=30 m 45 m

25 m

Centrum/Fiord

Rondo gwne

Park


Do szkoy

Most

Centrum/Fiord

Supermarket

Dworzec

P1

P3

P4

P5



1:10000

Miasto SandnesPlan zagospodarowania przestrzennego dla ulic Brugata, Hoylandsgata i Hoveveien

cz. mieszkaniowabiznesuytecznoci publicznejt. kocioauytecznoci publicznejt. kocioauytecznoci publicznej

KomunikacjaKomunikacja

ZabudowaZabudowaZabudowa

drogi publiczneinnedrogi publiczneinnedrogi publiczne

cigi piesze/rowerparkingicigi piesze/rowerparkingicigi piesze/rower

kolejparkingikolejparkingi

Tereny rekreacyjneTereny rekreacyjnepark

PozostaePozostaedrogi prywatne

Obszary pod funkcje mieszaneObszary pod funkcje mieszane

mieszkaniowe/biznesinne funkcje kombinowane

granica planu

granice dziaek

do rozbirki

zjazdy

1:3000



35m

25m

30m

NOWE CENTRUM

STARE MIASTO

30m

35m35m

25m25m



30m

35m

25m

30m





Szlaki piesze

Granica opracowania




1:100001:10000



Dziaki budowlane

pod zab mieszkaniowpod zab mieszkaniowmieszk. w budowiemieszk. w budowiepubliczne w budowiepubliczne w budowieobszar centrumobszar centrum

publicznepublicznerekreacyjnerekreacyjne

Obszary zamknite dla Obszary zamknite dla nowych inwestycjinowych inwestycji

obszary objte ochron dzieobszary objte ochron dzie-dzictwa kulturowegodzictwa kulturowego

Zbiorniki wodne i ich zagosp.

nat., rybowstwonat., rybowstwotereny wodne oglnego dostputereny wodne oglnego dostpu

Komunikacja

Drogiobszary wyczone z r. drogowegotrasy pieszetrasy pieszeszlaki zielone

tramwajtramwajdeptakideptaki

Inne symblegranica planu

przejcia

40 m

40 m

40 m

40 m

40 m

40 m

60 m

60 m

u. publicznej

prywatne



Komercyjne/Biznes



N

h=40 m

h=30 m 45 m

25 m

Centrum/Fiord

Rondo gwne

Park


Do szkoy

Most

Centrum/Fiord

Supermarket

Dworzec

P1

P3

P4

P5



1:10000



35m

25m

30m

NOWE CENTRUM

STARE MIASTO



35m

25m

30m





Szlaki piesze

Granica opracowania




1:100001:10000



40 m

40 m

40 m

40 m

40 m

40 m

60 m

60 m

u. publicznej

prywatne



Komercyjne/Biznes



N

h=40 m

h=30 m 45 m

25 m

Centrum/Fiord

Rondo gwne

Park


Do szkoy

Most

Centrum/Fiord

Supermarket

Dworzec

P1

P3

P4

P5



1:10000



35m

25m

30m

NOWE CENTRUM

STARE MIASTO



35m

25m

30m





Szlaki piesze

Granica opracowania




1:100001:10000

ARCHITECTURAL VISION

Socially responsible behaviour is dependent on repetitive individual and collective exposure to our cultural evolution. Many museums today seem to see their visitors as the largest threat to their own collections and exhibitions. This attitude leaves museums passive in their perfor-mative role as cutting-edge institutions and in their relationship to the public at large. To enable the New Hungarian National Gallery and the Ludwig Muse-um to have the desired active role; interacting and communicating with their audience, our project is based on the following principles:The wish to unify two museums in one building while maintaining a strong individual identity for each. We are situating both institutions under a singular public roof that is always accessible. Thus the roof becomes an inherent part of the City Park as does its` elevated continuation offering great views over the whole of Budapest.Architecturally, we strive to create a museum building that offers excit-ing, modern and contemporary spaces that enable an art experience confidently suited to the display of art from varying epochs and styles.We aim to create an inspirational environment for education and mu-seum learning, where the thoughts and philosophical mindsets funda-mental to any form of art creation and understanding are at the centre

point. The centre point of the building symbolises the meeting point of two art institutions, the meeting of light and earth at the horizon simul-taneously resolving practicalities of daylighting and embodying gravity at the meeting of the Ludwig Museum and the New National Gallery.In the heart of the building we envision a large open public space that serves both institutions. Here the visitors, local and from afar, young and old, are invited to start their journey of exploring art, in the Ludwig Museum and New National Gallery.The juxtaposition of the two institutions beneath a common fabric cre-ates a space where tensions serve to inspire a metaphysical reaction field between collections, and beyond the individual mind.

SITE RELATIONS

Situated in the North-East of the City Park the New National Gallery and Ludwig Museum form the new focal point at the end of an axis from the 1956 Monument. This together with the new Hungarian Museum of Architecture, and the Photography Museum forms a gateway to the park. Our buildings shape reacts to this visual axis and continues the park upwards on a public stairway from which visitors can enjoy elevated views above the trees and out over the entire city. With its two high-

points and the two gently tilting surfaces the building clearly reacts towards the pedestrian flow coming from Hermina t in the North, while simultaneously creating an extension of Napozrt to the South. This generous gesture towards Napozrt, is intended to strengthen the quality of the existing park structure, while adding variety to the experi-ence of the park. The roof of the building is extended back to the public instead of merely occupying a large portion of the park.

By enabling people to explore the roof of the building with a scalable surface, which is activated with cafs, terraces and unobstructed views, we aim to create a genuine ownership among visitors as well as locals, integral to the strategy of making the two new museums a genuine part of Budapest. The scalable peak-like quality of the 40 metre volume creates a visi-ble and attractive destination for the North East corner for the park, contributing to an enhanced flow of park visitors. The sloping volumes adopt different characteristics at different times of the day: shade or exposure, high or low the choice is yours.While clearly relating to one historical axis with the buildings volume, the volume similarly reacts to pedestrian flows along the diagonal con-nection of Vajdahunyad stny as well as from Zichy Mihly t. As a result of this our building has multiple entrances from all sides

with a main entrance from the new Museum Plaza between Zichy Mi-hly t and the New National Gallery and Ludwig Museum.The entry plaza appears to float independently from the building due in part, to the ramped gallery down to the parking levels allowing the building volume to visually slide below grade.

The park plaza to the North invites visitors from the Metro, and residen-tial areas, either visiting the institutions or simply traversing the park. The park plaza weaves beneath and between the existing trees and comprises a combination of paving and reinforced grass. The artefact delivery port is subtly integrated in the faade and the park plaza more than adequately accommodates even the largest vehicle manoeuvring under safe conditions whilst retaining an open, park-like quality.

The existing southern plinth in of the former building is removed and the terrain returned to a natural incline toward the park. Here the roofscape naturally fuses with the park landscape and at this point we envisage a large potential for hosted or spontaneous events with a natural amphitheatre. The proposed sporting development to the North West could similarly feed from the roofscape to form an integrat-ed solution to terracing, event hosting and arrangements potentially offering a sizeable financial contribution to the institutions.

Above the Horizon

Above The HorizonView from Napozrt

Above the Horizon Liget Budapest, New National Gallery and Ludwig Museum 1/8

Zichy Mihly t

Erzsb

et kir.-n

tja

Hermina t

Hermina t

Hermina t

Ciklm

en u.

Vrosligeti krt

Vrosligeti krt

Office Entrance

Gaia Entrance

Underground Parking

Underground Parking connected to Hermina street underground parkingand Goods deliveries

Bicycle Parking

Park Entrance

Staff Entrance

Roof Entrance

ArtefactDeliveries

Gaia Room

Caf

New National Galleryand Ludwig Museum

Park Plaza

Museum Plaza

Main Entrance

Outdoor Events

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Napozrt

Napozrt

Napozrt

Napozrt

Napozrt

New National Gallery

Museum Plaza &Main Entrance

Ludwig Museum

25m

40m

City Park

Hermina t

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Napozrt

Napozrt

Napozrt

Napozrt

Napozrt



Ludwig Museum

25m

40m

City Park

Hermina t

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Napozrt

Napozrt

Napozrt

Napozrt

Napozrt



Ludwig Museum

25m

40m

City Park

Hermina t

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Napozrt

Napozrt

Napozrt

Napozrt

Napozrt



Ludwig Museum

25m

40m

City Park

Hermina t

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Zichy M

ihly

Napozrt

Napozrt

Napozrt

Napozrt

Napozrt



Ludwig Museum

25m

40m

City Park

Hermina t

SiteplanScale 1:500

Functional Split

The Public Roof

Public Spaces and Main Entrance

One Building - Two Museums - Two Identities

Active Use of Building Geometry for Energy Production


Permanent Exhibition - New National Museum

Temporary Exhibition - New National Museum

Event HallMuseum Learning

Gaia Hall

Museum Administration

Offices

Main Hall - Ticketing

The Public Roof

The Public Roof

City ParkCafeteria / BrasserieTerrace

Permanent Exhibition

View over Budapest


Temporary Exhibition

Meeting Rooms

Offices


Temporary Storage of Departments Arts Storage

Workshops

Brasserie

-7,00m

-14,00m

-3,50m

+/-0,00m

+7,00m

+3,50m

+14,00m

+19,00m

+24,00m

+29,00m

+40,00m

+/-0,0m

+25,0m


Ludwig Museum

Main EntranceDeliveries

+40,0m

+/-0,0m

+25,0m

Elevation - South-East FacadeScale 1:250

0 10 20 0 10 20

0 10 20 0 10 20

Section A-AScale 1:2500 10 20 0 10 20


ALEKSANDER NOWAK

LOCATION: PARISTYPE: PROFESSIONALINDIVIDUAL / GROUP WORKROLE & CONTRIBUTION: SOCIOLOGICAL AND CONTEXTUAL ANALYSIS, CONCEPT AND IDEAS DEVELOPEMENT (2ND STAGE), PARAMETRIC FACADE FULL DESIGN, ARCHITECTURAL EXPRESSION, VISUALISATION AND RENDERING, LEVEL: AFTER GRADUATIONDATE: 11-12.2014SUPERVISOR: CECILIA LANDMARK // [email protected]

L E M O N D E

5

1. UN NOUVEAU SIGE POUR LE GROUPE LE MONDE - ZAC PARIS RIVE GAUCHE

Le rapport au site

Le projet prvoit la ralisation dun ensemble immobilier avenue Pierre Mends France (Paris, XIII e arrondissement), sur lemprise du lot A2 de la ZAC Paris Rive Gauche. lchelle de la ville, il sagit dune localisation exceptionnelle, tant aux plans de lhistoire et du paysage de la Seine que de la dynamique rcente damnagement urbain. proximit de la Bibliothque nationale de France, de la Cit de la Mode, de cinmas et dtablissements universitaires, le site sinscrit en outre dans un environnement culturel stimulant.

Le paysage urbain est de ce point de vue en adquation avec lunivers de rfrence du Groupe Le Monde, associ linformation, la culture de lcrit et la diusion des connaissances. Ce contexte, favorable lchange et la curiosit intellectuelle, incite penser une architecture qui rponde bien videmment un programme, mais qui soit galement en capacit dorir des expriences spatiales tous.

lchelle de la parcelle, le lot A2 est situ sur une zone de couverture des voies ferres de la gare dAusterlitz. Les contraintes imposes par la structure du sol fondent lun des partis pris majeurs du projet. Ces contraintes ont t envisages

par notre quipe en termes de singularit exploiter. Le site permet ldification dune architecture bnficiant dune forte visibilit. En cela, il ore lopportunit de concevoir un btiment-signal, emblmatique du dveloppement urbain en bordure de lavenue de France.

Un projet en dialogue avec lidentit du Groupe Le Monde

Le btiment rassemblera lensemble des quipes du Groupe Le Monde, il abritera les activits presse papier et numrique. Dans le paysage culturel franais, Le Monde fait figure dinstitution. Le nouveau sige incarnera autant cet hritage que lexigence qui caractrise aujourdhui les missions de ce premier groupe franais de mdias indpendant. Le projet doit reflter les ambitions du groupe conjuguer innovations, rvolution numrique et valeurs historiques telles que lindpendance, la transparence et le partage des savoirs.

Lun des aspects spcifiques aux mtiers de linformation a servi de levier de dveloppement au projet que nous proposons. Il sagit de la notion de temporalit. Linformation, cest la fois le flux extrmement rapide des vnements qui font notre

monde heure aprs heure. Mais cest aussi le temps plus long de lanalyse, de la distance critique, de lexplication. Cette notion de temporalit relve donc la fois de limmdiatet et de la longue dure relative lpaisseur historique dans laquelle sinscrit tout vnement.

Ces variations dchelles temporelles font merger la thmatique de la pluralit. Cette dernire est en outre renforce par une srie de caractristiques propres linformation et au savoir : diversit des ramifications territoriales des vnements qui fondent lactualit ; varit des situations entre celui qui fait lexprience de lvnement et celui qui en rceptionne le rcit ; multiplicit des positionnements et des interprtations ; dirences entre penses majoritaires et mergences de voix singulires ; diversit des horizons de rception des lecteurs. partir de ces notions de pluralit, de mouvement et de dplacement, nous avons dgag un concept architectural densemble.

Il sagit de proposer une architecture non statique, au sens o elle fonctionne tant lchelle architecturale qu celle de la ville, o elle dveloppe une logique intrinsque pour rpondre au programme tout en parlant du monde alentour.

The Bridge

The Split

The Inversion

The Symbol

The Cut

The Iterations

The Lightwell

The Final

TIME

ITERATIONS

L E M O N D E

7

2. DESCRIPTION ARCHITECTURALE et LMENTS DE CONCEPTION

De par la rglementation urbaine, le site est divis en deux lots initialement prvus pour accueillir deux btiments. Notre proposition consiste cependant aller contre cette recommandation et considrer le site comme une seule et mme entit, dans laquelle viendra sinscrire un btiment unique. Ce choix nous semble en eet pertinent au regard de lambition du projet, qui vise crer un btiment emblmatique, identifiable et porteur dune charge symbolique forte.

Le processus de conception architecturale consiste identifier dans un premier temps un gabarit constructible lchelle du site. Ensuite, une logique de soustraction vient redfinir les contours du volume initial pour commencer dessiner la physionomie gnrale du btiment. Cette mthode de conception architecturale conjugue, ds les premires phases du projet, forme et fonction. En eet, le volume initial est dessin selon une approche de sculpture urbaine. Ensuite, les volumes soustraits sont dfinis tantt par des lments fonctionnels rpondant des usages (zones daccs au btiment ; espaces publics), tantt par les contraintes du site (contraintes techniques inhrentes la parcelle et au contexte bti existant ; contraintes de rglementation urbaine). Le volume final ainsi obtenu rsulte de la somme des contraintes et des lments programmatiques.

Il en rsulte un btiment en forme de pont , orient le long de lavenue Pierre Mends France, enjambant littralement le site. Ce pont habit permet de concevoir de rels espaces de connexion entre les direntes entits qui composent le

Groupe Le Monde et de mutualiser des services au sein du groupe. Au plan urbain, la forme du btiment dgage un large espace public ouvert sur la ville au niveau du sol. Cette place permet la dambulation pitonne entre deux parties de la ville contrastes, ct Seine et cot gare. ce titre, elle rend le projet porteur de lien urbain, de tissage, en cohrence avec les orientations damnagement de la ZAC Paris Rive-Gauche. Plus largement, cette insertion dans le tissu urbain renoue avec la tradition du journal Le Monde, dont lhistoire est lie celle de Paris.

Le traitement des faades est caractris de manire direntie et contextuelle, aussi bien au plan de lcriture architecturale, quen termes de fonctionnalit et dambiance urbaine. La faade donnant sur lavenue et sur la Seine est ouverte, accueillante et dynamise par laccueil visiteurs, lentre de lauditorium et lentre du personnel. La seconde faade, confronte aux voies ferres, est traite de sorte susciter une atmosphre urbaine plus douce. Bnficiant dun bon apport en lumire naturelle directe, elle est agrmente damnagements paysagers plus intimes comprenant assises et espaces verts. Un caf est implant de ce ct-ci du btiment.

Les sous-faces votes du btiment recouvrant la place publique dcrite prcdemment sont constitues partir de formes sphriques. Ce dessin participe du principe structurel global du projet. quipes de LED, ces sous-faces votes orent de larges surfaces animes. Elles symbolisent le

Existing RegulationVolumetric FilloutRegulating HeightCreating City PlazaAdapting volume to regulationsDaylight/Entrance/CafePassage/Bridge BuildingThe New Le MondeOld Superimposed on New

flux en mouvement de linformation, limage de nuages ou dtoiles se dplaant dans le ciel. Le dispositif dclairage quelles contiennent peut tre programm tantt pour fournir un clairage de base, tantt pour crer des reprsentations graphiques, exprimer des messages, etc. Il serait par exemple possible de reprsenter une carte du monde stylise, dont certaines zones seraient alternativement soulignes par un jeu sur la couleur et sur lintensit lumineuse, fonction de lactualit. Des interventions artistiques pourraient galement investir ce support. En outre, la typologie despace en vote permet une srie de jeux acoustiques, que les usagers pourront potentiellement exploiter.

Le btiment sera revtu dune matrice pixlise de verre , caractrise par des nuances de transparence, de translucidit et dopacit (voir section 6 : Faades ). De loin, cette surface produit une texture singulire qui suscite une perception homogne du btiment. Mais limage dune mise en page ou dun jeu typographique, au fur et mesure que lon sen approche elle rvle son degr de complexit. Ainsi, la composition densemble souligne lunicit du btiment, tandis que les proprits particulires de cette matrice pixlise crent une richesse autant lextrieur qu lintrieur du btiment.

Enfin, en toiture , une longue terrasse relie les deux volumes principaux de bureaux. chaque extrmit, un espace plus largi ore des vues, vers lest et vers louest. De vastes zones de la toiture comporteront des panneaux photo-voltaques.

Intersection Volumes

Globes used to make the generative cuts

Lot A2Lot A9a1 - Atelier 234

LES LOTS EN COUR

bt B bt A

Lot A9a2 - Antonini & DarmonLot A9b - Atelier Christian de Portzamparc Lot A9a1 - Atelier 234 Lot A2Lot A9a1 - Atelier 234

LES LOTS EN COUR

bt B bt A


LES LOTS EN COUR

bt B bt A

Lot A9a2 - Antonini & DarmonLot A9b - Atelier Christian de Portzamparc Lot A9a1 - Atelier 234 SNHETTALot A2Lot A9a1 - Atelier 234

LES LOTS EN COUR

bt B bt A


LES LOTS EN COUR

bt B bt A


LES LOTS EN COUR

bt B bt A

Lot A9a2 - Antonini & DarmonLot A9b - Atelier Christian de Portzamparc Lot A9a1 - Atelier 234 SNHETTA

Project vs regulated volume

Project Bridge Sunlight consideration

Regulated volumeadaptation

New public square

Heights Projected volume extrusion

Regulatedvolume

La sphre comme rfrentiel pour les soustractions de volume

Volume produit

Facade view from lAvenue Pierre Mends-France

L E M O N D E

11

4. ORGANISATION FONCTIONNELLE

Espaces intrieurs

La structure du btiment est conue pour permettre une grande souplesse dans la rpartition des espaces de travail et des direntes titres du Groupe Le Monde. Cette rpartition est organise autour des Super-Desks et des Desks thmatiques.

Les principaux noyaux de circulation verticale, de mme que les principales gaines de ventilation et de dsenfumage, sont situs laplomb des fondations. Ces grands axes de circulation verticale intrieure font figure de pylnes pour le btiment-pont.

Principles of programme distribution Functional diagram of the redaction

Principaux noyaux. Lumire naturelle.

Legend

distance from the HUB

information speed

hub redaction superdesk


information speed



information speed



information speed



information speed


vertical circulation smoke extract fromplatform below

entrence and circulation

daylight access

daylight shaft

Lgende.







daylight access

daylight shaft

daylight access

daylight shaft

circulation verticaleet issues de secours

ventilation et dsenfumagepar le niveau infrieur

entre et circulation verticale

puits de lumire

exposition la lumire naturelle

SUPER-DESK

DESK THEMATIQUE

DIRECTION DES REDACTIONS

DIRECTION DES PUBLICATIONS

DESK THEMATIQUE

DESK THEMATIQUE

AUTRES SERVICES

FLUX DINFORMATION

Hub. Redaction. Production

Super- desk/ Topic desk

Distance to superdesk

Flow of information

FLUX D

INFO

RMAT

ION

DESK THEMATIQUE

L E M O N D E

11


Espaces intrieurs





Legend


information speed



information speed



information speed



information speed



information speed




daylight access

daylight shaft

Lgende.







daylight access

daylight shaft

daylight access

daylight shaft




puits de lumire


SUPER-DESK

DESK THEMATIQUE



DESK THEMATIQUE

DESK THEMATIQUE

AUTRES SERVICES

FLUX DINFORMATION




Flow of information

FLUX D

INFO

RMAT

ION

DESK THEMATIQUE

L E M O N D E

11


Espaces intrieurs





Legend


information speed



information speed



information speed



information speed



information speed




daylight access

daylight shaft

Lgende.







daylight access

daylight shaft

daylight access

daylight shaft




puits de lumire


SUPER-DESK

DESK THEMATIQUE



DESK THEMATIQUE

DESK THEMATIQUE

AUTRES SERVICES

FLUX DINFORMATION




Flow of information

FLUX D

INFO

RMAT

ION

DESK THEMATIQUE

LE MONDE HEADQUARTERSSNHETTA, PARIS, CONCEPT DEVELOPEMENT, FACADE DEVELOPEMENT, RENDERING / COMPETITION / 1ST PRIZE

The Le Monde Group is an icon in themedia world and its long standing reputation of integrity and quality is a measure for mediahouses worldwide. The building becomes a bridge, iterally spanning across the site, but also representing the bridge between Le Monde and its readers. The occupied bridge allows for direct contact between the dierent departments in the company. Symbolically the bridge connects the two parts of the city along the Avenue De France. The vaulted ceilings over the plaza represent the transient ow of information like clouds or stars moving across the sky. They are formed from parts of a sphere or globe, and are also part of the overall structural solution. These

surfaces will have embedded clusters of LEDs in a relatively low resolution grid that can be program-med to provide more or less abstracted levels of data.They can provide basic illumination or abstractrepresentations of new ow. The exterior of the building will be cladwith a pixelated matrix of glass with varying degrees of transparency, translucency, and opacity. The intention is that the faade gives the building a homogenous character when viewed from distance, but at the same time reveals a greater level of complexity as the view approaches like headlines and detailed content in a news story. The faade patterns are intended to represent the building as a complete volume, while the distorted pixel map creates a rich tapestry from inside and out.

ALEKSANDER NOWAK

L E M O N D E

13

5. DISTRIBUTION PROGRAMMATIQUE

Lamnagement intrieur du btiment sera dfini par les besoins des utilisateurs, mais nous prcisons dores et dj que nous favorisons en gnral les espaces de travail ouverts, propices lchange et au partage dinformations. Le projet prvoit paralllement la cration de zones plus intimes et prives, ddies aux fonctions les plus sensibles.

Au plan de la conception des espaces intrieurs du projet, la thmatique dominante est celle de la flexibilit. Ainsi le btiment sera en mesure de proposer aux utilisateurs une pluralit de services ainsi quune grande qualit dusage et de confort.

private office open office work loungeoutdoor break area auditoriumexhibition

lounge arealibrary

themed rooms

archive/storageprint/copycirculationbreak zone

mini kitchensanitary

redaction

niv. 0:+0,0m, SDP: 2130m2

max H=+37,0mSDP total: 22490m2

niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

mezzanine:+28,0m, SDP: 610m2

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

workgroupingworking

private office open office work lounge

meeting room

commercial

unformal meetingspace

study both/cubicle

superdesk

superdesk

workgroupingworking


meeting room

commercial


study both/cubicle

superdesk

superdesk

workgroupingworking


meeting room

commercial


study both/cubicle

superdesk

superdesk

Programme distribution per level

10 stk100m2

30m2 30m2 30m2

20m2 25m2

10m2

20m2

15m2

12 stk85m2

private office20%

worktype clustersclusters of 150m2

open office 60%

work lounge20%

meeting room unformal meeting space study both / cubicle

14 stk85m2

bureau privatif20%

bureau en open-space60%

Salon de travail10%

travail en groupe

salle de runion espaces de runioninformels

kiosque individuel

Illustration du mode de conception paramtrique

recharging hubworkgrouping

working


meeting room

commercial


study both/cubicle outdoor break area auditorium

exhibitionlounge area

librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement



working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2

niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement


super-desk


working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement



working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement



working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement


espaces de pause extrieursauditorium

espaces supports

tre inspir


working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement



working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement



working


meeting room

commercial




librarythemed rooms



redaction

niv. 0:+0,0m, SDP: 2130m2


niv. 1:+5,0m, SDP: 2810m2

niv. 2:+9,0m, SDP: 3755m2

niv. 3:+13,0m, SDP: 4060m2

niv. 4:+17,0m, SDP: 4075m2

niv. 5:+21,0m, SDP: 3765m2

niv. 6:+24,5m, SDP: 1290m2

superdesk

superdesk

relaxing complement


travailler

commerces

se dtendre

bureau privatif

bureau en open-space

salon de travail

salle dexpositionsalon de repos

bibliothqueespaces thmatiques

archives /stockageimpression/photocopies

circulationscuisine

sanitaires

L E M O N D E

19

faux plancher

absorbant acoustique

poutrelle type IPE

dalle bton mince

tuyaux dactivation thermique

Plancherbton ou autre

Plafondbton prfabriqu et rseau dactivation

StructurePoutres alvolaires pour les installations

techniques

faux plancher

absorbant acoustique

poutrelle type IPE

dalle bton mince

tuyaux dactivation thermique

3

4

5

6

7

8

9

10

11

12C

D

E

F

STATION

SEINE

Carrying points analysis

Stratgie gnrale

La proposition architecturale a t labore en prenant en compte les fortes contraintes techniques lies la construction du btiment sur la dalle existante, en particulier la position des points porteurs et leur capacit respective reprendre les charges verticales et horizontales.

Afin dassurer la faisabilit du btiment et en particulier de louvrage de franchissement, la collaboration avec les ingnieurs de lquipe de conception a orient les choix

recherche de lgret

compensation des eorts horizontaux

prise en compte de lhtrognit des points porteurs

Afin de limiter le poids de louvrage de franchissement, le btiment saffine dans la zone centrale en plan et en lvation. Lobjectif de lgret a galement orient le choix du systme constructif envisag pour les planchers (cf. description ci-contre).

La structure des extrmits du btiment (entre les files 3 et 4 et entre les files 10 et 12) est base sur un systme conventionnel poteaux-poutres. Leur stabilit latrale est assure par un systme de cadres rigides sur toute la hauteur du btiment dans les directions transversales et longitudinales. La structure de la partie centrale est base sur le principe de larc pousse

repris par des tirants positionns entre le niveau brut de la dalle et son niveau fini. Ainsi, les seuls eorts horizontaux transmis aux points porteurs sont ceux lis laction du vent.

La gomtrie envisage pour le systme darcs rsulte de la prise en compte des capacits htrognes des points porteurs disponibles. En eet, les points porteurs lOuest de louvrage ( droites sur les figures ci-contre) ont une rsistance jusqu deux fois suprieure aux points porteurs situs lEst. Les arcs sont lis entre eux par des poutres parallles qui assurent la transmission des eorts verticaux des tages suprieurs ainsi que la stabilit latrale des arcs.

Choix constructifs pour les planchers

La solution structurelle retenue pour les planchers consiste

se composent de poutres en acier de type IPE portant transversalement des dalles minces en bton installes entre les poutres mtalliques sur leurs semelles infrieures. Ces dalles minces prfabriques sont coules autour des poutres en atelier. Elles assurent la protection au feu de lacier et la transmission des eorts horizontaux.

Dans la hauteur structurelle du plancher, tous les quipements techniques peuvent tre installs. La sous face des dalles minces en bton prfabriqu est laiss nue du fait de leur haute qualit de finition, ce qui permet de saranchir dun faux plafond supplmentaire. Le systme permet par ailleurs de bonne performances disolation acoustique, un montage de la structure sur chantier trs rapide et un apport dinertie thermique.

P

P/2

P/4P/4

7

8

9

10

11D

E

F

GARE

SEINE

string

arch compression

Capacits porteuses des points dappuis

P

P/2

P/4P/4

7

8

9

10

11

12C

D

E

F

GARE

SEINE

tirant tendu

arc comprim

Capacits porteuses des points dappuis

8. STRUCTURE

ALEKSANDER NOWAK

ALEKSANDER NOWAK

ALEKSANDER NOWAK

LOCATION: CAMBODIATYPE: COMPETITIONINDIVIDUAL / GROUP WORKROLE & CONTRIBUTION: CONTEXTUAL, SOCIO-ECONOMIC & ENVIRONMENTAL ANALYSIS, CONCEPT AND IDEAS DEVELOPEMENT, WATER SYSTEMS AND SUSTAINABLE SOLUTIONS DEVELOPEMENT, DIAGRAMS & VISUALISTION,LEVEL: 3rd GRADEDATE: 01.2013

MODERN KHMER HOUSE3rd GRADE, CAMBODIAN SUSTAINABLE HOUSING COMPETITION, GB

Modern Khmer House is an example of an ideal house for Cambodian families.. Almost a whole house is built with cheap, durable and natural material - bamboo. Due to the lack of main building material (despite the perfect climate conditions for its growth), our group suggested to begin cultivation (industrialization) of bamboo in the area. This solutions works well in other Asian countries for example China, Japan and Thailand. Establishment of bamboo plantations would provide jobs in the region and bamboo surplus could be exported outside of Asia. Such an idea could stimulate and develop the economy of the country. Cambodian people are suffering from a limited access to clean water. Shape of the build-ing is designed in a way to solve this problem. The slope of the roof is directed to the center of the building in order to gather rainwater on an ongoing basis to be used in the household. Such a solution could have a positive influence on health of the inhabitants and promote safe living spaces. Natural ventilation, funcional arrage-ment and umbrella effect influence comfort and healthy interior climate.

ALEKSANDER NOWAKALEKSANDER NOWAK

240

230

245

0

+5.00

+7.90

+8.55

+2.55

1 2 3 45 6

7

465

595AA

1 2 3 4

AB

AB

1 2 3 4

12 x

21

= 25

0

123456789

101112

10 x 25 = 250

1 2 3 4 5 6 7 8 9 10

340

445

443

120

717

1 2 3 4

AB

AB

1 2 3 4

AA

12 x

21

= 25

0123456789

101112

10 x 25 = 250

1 2 3 4 5 6 7 8 9 10

445

305

AA

1 2 3 4

AB

AB

1 2 3 4

ALEKSANDER NOWAK

The designed sports arena in Rataje district, next to Assumption of Mary church, is an answer for a deficit of greenery and recreational areas in this part of the city. The main inspiration was nature and the designed wild park, which could change the character of the modernistic neighbourhood and its inhabitants approach towards green virtues. The form of the building was created by a wooden core surrounded by a glass facade. Through its formal means, the object fits in the new forest and its context. An important point of

RATAJE SPORTS ARENA3rd GRADE, RECREATIONAL FACILITIES DESIGN

the landscape is a church. In order to respect the sacrum sphere, the greenery of the park thins the closer it comes to the temple, to finally become an empty square- silent field of grass. Additionally, the arena deals as a wall- an entrance gate to the park. Besides SPA and exterior sport pitches, a year-long available ice rink was designed at the roof of the facility. The main services, as restaurant, open up towards the park to intensify the contacy with nature

The designed sports arena in Rataje district, next to Assumption of Mary church, is an answer to a deficit of greenery and recreational areas in this part of the city. The main inspiration was past surrouning nature and the designed wild park, which could change the character of the modernistic neighbourhood and its inhabitants approach towards green virtues. The form of the building was created by a wooden core surrounded by a glass facade. Through its formal means, the object fits in the new forest and its context. An important point of

RATAJE SPORTS ARENA3rd GRADE, RECREATIONAL FACILITIES DESIGN

the landscape is a church. In order to respect the sacrum sphere, the greenery of the park thins the closer it comes to the temple, to finally become an empty square- silent field of grass. Additionally, the arena deals as a wall- an entrance gate to the park. Besides SPA and exterior sport pitches, a year-long available ice rink was designed at the roof of the facility. The main services, as restaurant, open up towards the park to intensify the contacy with nature

HOTEL INSOMNIA3rd GRADE, COMMERCIAL BUILDING DESIGN

Hotel Insomnia is a project of a 3-star academic hotel. A main assumption of the concept was to create a green passage in a city centre space, which could serve both hotel guests and Poznan inhabitants. The space between the north facade of the building and existing back-yards is a walking route connecting the Bernar-dynski square with Mostowa street. The space thanks to its cosiness and greenery is a perfect place to rest in a shade and eat a meal in the hotel restaurant. The building was pulled back to the maximum from the men-tioned backyards to not overshadow them.Additionally, the facility contains fitness center with saunas and massage rooms. Two conference halls were designed; one large for business meet-

ings and the second for student talks, semi- lecutres and media library purposes. In the Insomnia hotel, there are several kinds of accomodation units. In the west part, units with higher standard were designed. Their furnishings include a special workplace. The building design provides a use of ecological materials. The building facade is a double glass facade with a shading sysem inside. It ensures thermal comfort throughout a year. What is more, the green ventilated green roof influences the percent of biologically active surface of the site.

LOCATION: POZNAN, POLANDTYPE: ACADEMICINDIVIDUAL / GROUP WORKROLE & CONTRIBUTION: ALL DRAWINGS LEVEL: 3rd GRADEDATE: 01.2013SUPERVISOR: dr hab. in. arch. Stanisaw Sipiski // [email protected]

LOCATION: POZNAN, POLANDTYPE: ACADEMICINDIVIDUAL / GROUP WORKROLE & CONTRIBUTION: ALL DRAWINGS LEVEL: 3rd GRADEDATE: 01.2013SUPERVISOR: dr hab. in. arch. Stanisaw Sipiski // [email protected]

SZSZATNIA005A: 19,32 m2

5

6

7

8

9

1012

13

14

15

16

17

18

19

20

21

55 6 7 8 9 10

11

1213141516171819192021

2626 x 17 = x 17 = 450

1 2 3 4 5 66 56 566 56 556 5666 7 88 9 108 108 11 911 9 12

13

14141516 1316 131714 17141819192021 1721 172218 2218232424242526 2126 21

25

x 2

5 x

18 =

=

45450 1

2

3

44

5

6565665655656

7676

878799

1010

119119

12101210

131313111311111311111311

14121412

151315131616

1717

18151815

19161916

20172017

211821182222

2323

2420242024

25212521

26 x 17 = x 17 = x 17 = 450

12345666678910

11

12

13

14

15

16

71 81 91 02 12 22 32 42 5522222 62

B-BB-BB-BB-B

A-A

A-A

126,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m6,48 m22273,73,73,73,77777777 m m m m22

1111 2 5 6 777 8 999

AAAAAABBBBBBBBBBB

DDDEEEEEEEEE

10 11 12 13 14 1616161616

AAA

BD

CEE

CCCCCCCC

11111 22222 5

7 888888 9 1010 1111 1212 13 14 1616

6

3 4

33333 4

15%

PRZEDSIONEK001A: 6,43 m2

DEPOZYTDEPOZYT023A: 6,67 m2

RECEPCJA003A: 12,77 m2

DEPOZYT004A: 3,43 m2

HOL+ KOM.002A: 97,08 m2

ADMIN. SEKRT.IN. SEKRT.007A: 11,74 m2

ADMIN. KIER.008A: 18,30 m2

ADMIN. KADRY009A: 14,17 m2

ADMIN. K./STRATEG.G.010A: 14,27 m2

ADMADMIN. DOSTAWY011011A: 20,72 mA: 20,72 m2

DOSTAWY.012A: 21,38 m2

KOMUNIKACJA013A: 79,95 m2

ADMIN. MARKETING014A: 29,40 m2

POMOMOMOMOMOM. SOC.. SOC.. SOC.. SOC.. SOC.. SOC.. SOC.. SOC.. SOC.015015A: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 mA: 48,77 m2

SZATNIATNIAA017A: 17,35 m2

SZSZSZATNIATNIATNIAAA018A: 17,68 mA: 17,68 m2

KOMUNIKACJA019A: 24,86 m2

KOMUNIKACJAAAAAAAA020A: 17,94 m2

RESTAURACJA021A: 218,10 m2

KOMOMOMOMUNIKACJA022A: 11,22 mA: 11,22 m2

KOMOMUNIKACJA023023A: 11,28 mA: 11,28 m2

KOM.022A: 8,67 m22

KKOMOMOMOMOMOMOMOMOMOMOMOMOMOMOMUNIKACJA013A: 10,16 m2

WC. MS.014A: 10,45 m2

WYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIE POS. POS. POS. POS. POS. POS.015015015015A: 9,77 mA: 9,77 mA: 9,77 mA: 9,77 mA: 9,77 mA: 9,77 mA: 9,77 mA: 9,77 m2

ODB. NACZYN016016A: 9,38 mA: 9,38 m2

PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2017017A: 4,47 mA: 4,47 m2

DPST. DOJAZD018A: 98,60 m2

PPOM. TECH.022A: 16,04 m2

26 x 17 = x 17 = x 17 = 450

1234566666777888999101010

11 11 11

12 12 12

13 13 13

14 14 14

15 15 15

16 16 16

171717 181818 191919 202020 212121 222222 232323 242424 25252525252525252525 262626

2626 x 17 = 430 x 17 = 430 x 17 = 430

1 2 3 4 5 66666666666666666 777 888 999 101010101010 111111 121212

131313

141414151515161616171717181818191919202020212121222222232323242424252525262626

25

x 17

= 4

30 2

5 x

17 =

430

25

x 17

= 4

30 2

5 x

17 =

430

1

2

3

44

5

6666666666

777

888

999

101010

111111

121212

131313131313131313131313131313

141414

151515

161616

171717

181818

191919

202020

212121

222222

232323

24242424242424242424

252525

B-BB-BB-B

A-A

A-A

warsztat

111 2 3 4 5 6 777 8 999

AB

DEEE

10 11 12 13 14 15 1614 15 1614 15 1614 15 1614 15 1614 15 16

AAA

BD

CE

C

1 2 5

7 88 9 1010 1111 1212 13 14141414 1616

63 4

KOMOMUNIKACJA024024A: 44,82 mA: 44,82 m2

KOMUNIKACJA020A: 18,69 mA: 18,69 m2

SALA KONFERENCYJNAA021A: 236,43 m2

WYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIEWYDAWANIE POS. POS. POS.025025025025A: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 mA: 9,64 m2

ODB. ODB. NACZYNZYNZYN026A: 9,51 mA: 9,51 m2

MAMAGAZYN027027A: 4,95 mA: 4,95 m2

MAMAGAZYNGAZYN028028A: 4,95 mA: 4,95 m2

WC M029A: 15,36 m2

WC DWC DWC D030A: 17,08 mA: 17,08 mA: 17,08 m2

PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2031A: 11,17 mA: 11,17 m2

PRZEDSIONEK 2032A: 15,59 m2

POSCPOSCPOSCIEL BRBRUD/CZ033033033A: 5,85 mA: 5,85 mA: 5,85 mA: 5,85 m2

PRZEDSIONEK 2PRZEDSIONEK 2034A: 77,33 mA: 77,33 m2

PION OBSLUGOWYPION OBSLUGOWY035A: 19,87 mA: 19,87 m2

WAWAWAWAWARSZTAT036A: 24,95 m2

J. M. 1037A: 21,80 m2

J.M. 2038A: 24,89 mA: 24,89 mA: 24,89 mA: 24,89 mA: 24,89 mA: 24,89 mA: 24,89 m2

PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2PRZEDSIONEK 2039039039039039A: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 mA: 23,27 m2

J.M 2.1J.M 2.1040A: 23,52 mA: 23,52 mA: 23,52 m2

J.M 2.2J.M 2.2J.M 2.2J.M 2.2J.M 2.2041A: 18,98 mA: 18,98 mA: 18,98 mA: 18,98 mA: 18,98 m2

J.M 1.1042A: 42,67 mA: 42,67 m2

J.A. 1.2043A: 36,03 m2

J.M. 2.4044A: 22,72 m2

J.A. 2045A: 29,96 mA: 29,96 m2

+/-0.00

ATTYKA

gzyms midzykondygnacyjyjy ny;

BDE C

BDE C

obrbka blacharska- blacha tytan. - cynk/k/k 0,7mm

+16,4,4,40

+12,,,60

+8,,80

+4,,50

+20,0,0,20

+21,,30

12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,12,444444444444000000

1212,,,,666666666000

POZIOM WEJCIA

S5

system fasadowy aluminiowyfasada podwpodwjjpodwjpodwpodwjpodw na

system shadingowy

S5

S5

S5

VITAMIN GREEN PROJECT3rd GRADE, COMMERCIAL BUILDING DESIGN

The main idea behind the Vitamin Green Project was a humanization of modernistic neighbourhood. The concept introduces a business model for its inhabitants. The vertical farming facility is beeing used by inhabitants to produce food both for they own use and for sale. Sheep barn and its infrastructure attract tourists and deal as wool factory for unique eco sweater designs. The sheep bred by aging part of community could have marking rings, so that the customers could know out of which particular sheep his piece of clothing was made. The floorplan anticipates meeting point with common kitchen for local community, laboratory, fashion designer studio and backrooms for all functions. The building should help the locals to meet each other, find ultimate solutions for aging generation revival and give oppurtunity to exchange knowledge among people. This unique concept is a trial of finding new business models in order to make amends to inhabitants for modernism mistakes.

STAWNA HOUSING2nd GRADE, HOUSING DESIGN

The building is located between Wroniecka and Zydowska street in Poznan. The form of the building is designed in a way to fit in the old city centre character. Additionally, the goal was to creat a original background for the New Synagogue building standing right next to the site. The section of the facade harmonizes with the the adjacent tenements. The facade system used consists mainly of double glazed facade with remote controlled shading between the glass layers. The rest remaining part of the facade is covered with aluminium panels.

Flats in different price segments were designed. Part of them were equipped with roof gardens. The whole complex togeth-er with its courtyard should be a green island in the oldtown tissue. The communication is solved by 3 main stairwells with elevators. The whole building was adjusted to disabled people. There is an entrance to the under-ground parking from the Zydowska street side. The fire road was led through the inner court-yard, further to existing backyards.

VITAMIN GREEN PROJECT3rd GRADE, COMMERCIAL BUILDING DESIGN

The main idea behind the Vitamin Green Project was a humanization of modernistic neighbourhood. The concept introduces a business model for its inhabitants. The vertical farming facility is beeing used by inhabitants to produce food both for they own use and for sale. Sheep barn and its infrastructure attract tourists and deal as wool factory for unique eco sweater designs. The sheep bred by aging part of community could have marking rings, so that the customers could know out of which particular sheep his piece of clothing was made. The floorplan anticipates meeting point with common kitchen for local community, laboratory, fashion designer studio and backrooms for all functions. The building should help the locals to meet each other, find ultimate solutions for aging generation revival and give oppurtunity to exchange knowledge among people. This unique concept is a trial of finding new business models in order to make amends to inhabitants for modernism mistakes.

STAWNA HOUSING2nd GRADE, HOUSING DESIGN

The building is located between Wroniecka and Zydowska street in Poznan. The form of the building is designed in a way to fit in the old city centre character. Additionally, the goal was to creat a original background for the New Synagogue building standing right next to the site. The section of the facade harmonizes with the the adjacent tenements. The facade system used consists mainly of double glazed facade with remote controlled shading between the glass layers. The rest remaining part of the facade is covered with aluminium panels.

Flats in different price segments were designed. Part of them were equipped with roof gardens. The whole complex togeth-er with its courtyard should be a green island in the oldtown tissue. The communication is solved by 3 main stairwells with elevators. The whole building was adjusted to disabled people. There is an entrance to the under-ground parking from the Zydowska street side. The fire road was led through the inner court-yard, further to existing backyards.

Metropolitan

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Transcript of Metropolitan