Publications

Books

Jarniewicz, Jerzy. The P Centre. The Uses of History in the Poetry of Seamus Heaney. Lodz:

U of Lodz Press, 2002.

---. W brzuchu wieloryba. Szkice o dwudziestowiecznej poezji brytyjskiej i irlandzkiej. Poznań:

Rebis, 2001.

---. Ekphrasis in the Poetry of Derek Mahon, Piotrków Trybunalski: Naukowe Wydawnictwo

Piotrkowskie, 2013.

---. Heaney. Wiersze pod dotyk. Cracow: Znak, 2011.

---. In the Shadow of a Foreign Tongue. Essays on Irish Poets. Lodz: U of Lodz P, 2014.

---. Lista obecności. Szkice o dwudziestowiecznej prozie brytyjskiej i irlandzkiej, Poznań:

Rebis, 2000.

Jarniewicz, Jerzy, Fomin, Maxim, and Piotr Stalmaszczyk, eds. Dimensions and Categories of

Celticity. Studies in Literature and Culture. Studia Celto-Slavica 5. Lodz: U of Lodz P,

2010.

Kruczkowska, Joanna. Irish Poets and Modern Greece: Heaney, Mahon, Cavafy, Seferis.

Basingstoke: Palgrave Macmillan, 2017. [forthcoming]

---, ed. Landscapes of Irish and Greek Poets. Oxford: Peter Lang, 2017. [forthcoming]

Lachman, Michał. Brzytwą po oczach. Młodzi doświadczeni w angielskim i irlandzkim dramacie

lat dziewięćdziesiątych. [Razor’s Edge. British and Irish Drama of the 1990s.] Cracow:

Księgarnia Akademicka, 2007.

Lachman, Michał, and Małgorzata Leyko, eds. Folia Litteraria Polonica 2 (2014) [thematic

issue: “Dramat irlandzki na pograniczu stylów i kultur / Irish Drama at the Crossroads

of Styles”].

Ojrzyńska, Katarzyna. “Dancing as if Language No Longer Existed”: Dance in Contemporary

Irish Drama. Reimagining Ireland 61. Oxford: Peter Lang, 2015.

Pietrzak, Wit. Myth, Language and Tradition. A Study of Yeats, Eliot and Stevens in the Context

of Heidegger’s Search for Being. Newcastle: Cambridge Scholars, 2011.

---. Ostrożnie, poezja! Szkice o współczesnej poezji anglojęzycznej [Careful, Poetry! Essays

on Contemporary Anglophone Poetry]. Cracow: Universitas, 2016. [includes chapters

on Yeats, and Muldoon]

Poloczek, Katarzyna, and Marta Goszczyńska, eds. Changing Ireland: Transitions and

Transformations in Irish Literature and Culture. Lodz: U of Lodz P, 2010.

---, eds. The Playful Air of Light(ness) in Irish Literature and Culture. Newcastle: Cambridge

Scholars, 2011.

Stalmaszczyk, Piotr. Celtic Presence. Studies in Celtic languages and literatures: Irish,

Scottish Gaelic and Cornish. Lodz: U of Lodz P, 2005.

---. Studies in Celtic Languages and Celtic Englishes. Lodz: LEKSEM, 2009.

Articles in peer-reviewed journals

Dąbrowska, Justyna. "Faced with Otherness: A Few Remarks on Brian Friel's Dancing at

Lughnasa." Polish Journal of English Studies 1 (2015): 59-77.

---. “Gaze and Stare as Tools Expressing More than Words: Looking Interactions as a Means

of Communication in Brian Friel’s Dancing at Lughnasa.” MASKA. Magazyn

Antropologiczno-Społeczno-Kulturowy 28 (2015): 35-46.

---. "Subverting the Gaze, Seducing with the Bible: A Study of Oscar Wilde’s

Salomé." Intertextuality. Analyses/Rereadings/Theories Journal 2.1 (2014): 9-17.

Janiewicz, Jerzy. “In the Shadow of a Foreign Tongue. Contemporary Irish Poets Writing in

English.” Beyond Philology 4 (2007): 65-76.

---. “The Trinity of Irish Fathers: A Reading of Paul Muldoon’s Cuba.” An Sionnach. A Journal

of Literature, Culture, and the Arts 4.2 (2008): 118-24.

Lachman, Michał. “Friel’s Homecoming, or How to Forget about the Empire.” HJEAS 15.2

(2009): 429-40.

---. “’From Both Sides of the Irish Sea:’ The Grotesque, Parody, and Satire in Martin

McDonagh’s The Leenane Trilogy.” HJEAS 1-2.10 (2004): 61-75.

---. “Irlandia świętuje Bloomsday” [“Ireland Celebrates Bloomsday.”] Dialog 11 (2004): 177-83.

---. “Porcja goryczy. O dramatach Mariny Carr.” [“A Portion of Bitterness: Marina Carr’s Plays.”]

Dialog 5 (2004): 115-22.

---. “Przepis na Irlandię.” [“A Recipe for Ireland.”] Dialog 3 (2007): 85-92.

---. “Retreats from Theatricality in Contemporary Irish Drama.” New Hibernia Review 19.3

(2015): 110-27.

---. “Words in Space, or the Spaces of Irish Drama.” HJEAS 20.1 (2014): 177-86.

Kosmalska, Joanna. “Dichotomous Images in McEwan’s Saturday: In Pursuit of Objective

Balance.” Text Matters 1 (2011): 268-75.

---. “Immigration and Primary Education in Ireland.” Annales Universitatis Paedagogicae

Cracoviensis. Studia Sociologica 118 (2012): 126-46.

---. “Polish Migrant Literature in Britain and Ireland. Signs of a New Literary Trend?” Zeitschrift

für slavische Philologie, 1.72 (2016): 179-205.

Kosmalska, Joanna, and Joanna Rostek. “Irish-Polish Cultural Interrelations in Practice:

Interviews with Chris Binchy, Piotr Czerwiński, Dermot Bolger, and Anna Wolf.” Studi

irlandesi. A Journal of Irish Studies 5 (2015): 103-30.

Kruczkowska, Joanna. "The (Im)palpable: Two Cycladic Landscapes by Derek Mahon and

Michael Longley." Landscapes 17.1 (2016): 3-22.

---. "The Use of Ulster Speech by Michael Longley and Tom Paulin." Text Matters 1 (2011):

241-53.

Ojrzyńska, Katarzyna. “Eroticism in the ‘Cold Climate’ of Northern Ireland in Christina Reid’s

The Belle of the Belfast City.” Text Matters 3 (2013): 121-38.

---. “O indywidualizującej i subwersyjnej roli radia w wybranych współczesnych irlandzkich

utworach lirycznych oraz dramatycznych.” [“The Individualizing and Subversive Role of

the Radio in Selected Contemporary Irish Poems and Plays.”] Tekstualia: Palimpsesty

literackie, Artystyczne, Naukowe 1.32 (2013): 113-130.

---. “One Mad Hornpipe: Dance as a Tool of Subversion in Brian Friel’s Molly Sweeney.” Text

Matters 1 (2011): 254-69.

Poloczek, Katarzyna. “‘Against Love Poetry?’ Contemporary Irish Women’s Love Poems.” Acta

Universitatis Lodziensis. Folia Litteraria Anglica 7 (2007): 111-24.

---. “Women’s Power to Be Loud: The Authority of the Discourse and the Authority of the Text

in Mary Dorcey’s Irish Lesbian Poetic Manifesto ‘Come Quietly or the Neighbours Will

Hear.’” Text Matters 1 (2011): 153-69.

---. “‘Sharing Our Differences:’ Individuality and Community in the Early Works of Paula

Meehan.” An Sionnach [Paula Meehan’s Special Issue] 5.1 & 5. 2 (2009): 75-89.

Pietrzak, Wit. “‘Bringing a New Soul into Ireland’: Literary Culture and Poetics of Orality in W.

B. Yeats’s Early Critical Writings.” Brno Studies in English 1.41 (2015): 145-56.

---. “(Self-)In-Mourning: Paul Muldoon’s Early Elegies.” Hungarian Journal of English and

American Studies 2.21 (2015): 261-376.

---. “The Yeatsian Element in Paul Muldoon’s ‘At the Sign of the Black Horse, September

1999.’” English Text Construction 2.8 (2015): 177-93.

---. “Yeats’s Hauntings.” Nordic Irish Studies 13 (2014): 43-58.

Stalmaszczyk, Piotr. “Issues in Irish English Vocabulary.” Studia Indogermanica Lodziensia IV

(2002): 63-71.

---. “The Lexicon of Irish English: Borrowings with the Diminutive Suffix, Semantic Conflation

and Literal Translation.” Beyond Philology 4 (2007): 31-49.

---. “Między fleksją a słowotwórstwem: celtyckie przyimki zaimkowe (na przykładzie języków

goidelskich).” Slavia Meridionalis 9 (2009): 139-51.

---. “On Irish English ‘on.’” Rozprawy Komisji Językowej ŁTN LV (2010): 231-39.

---. “The Permanence of Place. Places and their Names in Irish Literature.” Studia Celto-

Slavica 2 (2009): 93-109.

Wicher, Andrzej. “Patterns of Thinking in Medieval Romances: An Interpretation of ‘The

Wooing of Etaine,’ and ‘Sir Orfeo.’” Studia Anglica Posnaniensia 25 (1992): 249-66.

Chapters in collections of articles

Jarniewicz, Jerzy. “Derek Mahon and the Poetry of Exile.” From the Peripheries to the Centre.

Essays in (Anglo-) Irish Literature. Ed. Joanna Burzyńska and Danuta Stanulewicz.

Lublin: UMCS, 2001.

---.“The Poetry of Eastern European Ireland: Stereotypes and Appropriations.” Dimensions and

Categories of Celticity. Studies in Literature and Culture. Studia Celto-Slavica 5. Ed.

Maxim Fomin, Jerzy Jarniewicz, and Piotr Stalmaszczyk. Lodz: U of Lodz P, 2010. 97-

104.

---. “The Polishing of Heaney. Seamus Heaney’s Poetry in Poland: Translations, Receptions,

Impact.” Literary and Cultural Relations: Ireland, Hungary and Central and Eastern

Europe. Ed. Maria Kurdi. Dublin: Carysfort, 2009. 201-16.

---. “The Way via Warsaw: Seamus Heaney and Post-War Polish Poets.” Seamus Heaney.

Poet, Critic, Translator. Ed. Ashby Bland Crowder and Jason David Hall. London:

Palgrave Macmillan, 2007. 103-20.

---.“Zona Media, or Paul Muldoon’s ‘Little Books.’” Paul Muldoon Poetry, Prose, Drama. A

Collection of Critical Essays. Ed. Elmer Kennedy-Andrews. Gerrards Cross: Colin

Smythe, 2006, 233-48.

Jarniewicz, Jerzy, and John McDonagh. “Scattered and Diverse: Irish Poetry since 1990.” Irish

Literature since 1990. Diverse Voices. Ed. Scott Brewster and Michael Parker.

Manchester: Manchester UP, 2009. 121-41.

Lachman, Michał. “Being with Things – Material Objects in Samuel Beckett’s Happy Days.”

Back to the Beckett Text. Ed. Tomasz Wiśniewski: Gdansk: U of Gdansk P, 2012. 203-

22.

---. “Dialogue in Modern Irish Drama: Thomas Murphy and Brian Friel.” Proceedings of the

Tenth International Conference of the Polish Association for the Study of English.

PASE Papers in Culture and Literature. Ed. Władysław Witalisz and Peter Leese.

Cracow: Instytut Filologii Angielskiej UJ, 2002. 345-52.

---. “Happy and in Exile? Martin McDonagh’s The Leenane Trilogy.” Engaging Modernity.

Readings of Irish Politics, Culture and Literature at the Turn of the Century. Ed. Michael

Boss and Eamon Maher. Dublin: Veritas, 2003. 194-206.

---. “Martin McDonagh and His Parodic Dialogue with Tradition.” Reading English Drama and

Poetry. Ed. Jaonna Kazik. Lodz. U of Lodz P, 2007. 177-89.

---. “Narrative techniques in The Loves of Cass McGuire by Brian Friel.” PASE Papers in

Literature and Culture. Gdansk: U of Gdansk P, 2003. 221-29.

---. “Playing It Out: Music narratives in Ciaran Carson’s Last Night’s Fun.” The Playful Air of

Lightness in Irish Literature and Culture. Ed. Marta Goszczynska, and Katarzyna

Poloczek. Newcastle: Cambridge Scholars, 2011.

---. “Story-telling in Brian Friel’s Faith Healer: Landscape without Land.” Studies in Literature

and Culture in Honour of Professor Irena Janicka-Świderska, Ed. Maria Edelson. Lodz:

U of Lodz P, 2002, 130-42.

---. “Utopia and Dystopia in Contemporary Irish Feminist Drama: Christina Reid and Marina

Carr.” Reading History, Drama and Film. Ed. Michał Lachman. Lodz: U of Lodz P, 2010.

141-52.

Kosmalska, Joanna. “The Advantages and Shortcomings of the English Language Support

Programme in Irish Primary Schools.” Ze Wschodu na Zachód. Problemy dialogu

międzykulturowego, nie tylko w Europie. Lodz: Leksem, 2013.

---. “Dwu(wielo)języczność w twórczości polskich migrantów na Wyspach Brytyjskich”

[“Bi(multi)lingualism in Writings by Polish Migrants in the UK and Ireland”].

Migrantenliteratur im Wandel /Literatura migracyjna w procesie. Ed. Brigitta Helbig-

Mischewski, and Małgorzata Zduniak-Wiktorowicz. Leipzig: Leipziger

Universitätsverlag, 2016. 157-70.

---.“Mehrsprachigkeit in den Narrationen von Schriftstellern polnischer Herkunft in

Großbritannien und Irland.” Migrantenliteratur im Wandel /Literatura migracyjna w

procesie. Ed. Brigitta Helbig-Mischewski, and Małgorzata Zduniak-Wiktorowicz. Trans.

by Joanna Lipniewicz. Leipzig: Leipziger Universitätsverlag, 2016. 157-70.

---. “New Realities: A Depiction of Immigrants in Maeve Binchy’s “Heart and Soul.” Changing

Ireland: Transitions and Transformations in Irish Literature and Culture, Ed. Katarzyna

Poloczek, and Marta Goszczyńska. Lodz: U of Lodz P, 2010. 111-18.

Kruczkowska, Joanna. "Derek Mahon's Seascapes Mediated through Greece: Antiquity in

Modernity, Nature in Abstraction." Irish Contemporary Landscapes in Literature and

the Arts. Ed. Marie Mianowski. Basingstoke: Palgrave Macmillan, 2012. 69-80.

---. "Kings and Poets: Self-Irony in Selected Poems by George Seferis and Derek

Mahon." Here/Now - Then/There: Traditions, Memory, Innovation in Modern British and

Irish Poetry. Essays on Modern British and Irish Poetry. Ed. Ludmiła Gruszewska Blaim

and David Malcolm. Gdansk: U of Gdansk P, 2011. 46-61.

---. "Linguistic Substitution vs. Metonymy: Two Poems by Ciarán Carson and Michael Longley

on the Northern Irish Conflict.” Comparative Studies in Anglophone Literatures:

Transnational, Postcolonial, and Auto/thematic (re)Considerations and (re)Visions. Ed.

Grzegorz Koneczniak. Toruń: Toruń UP, 2012. 205-15.

---. "Northern Irish Poets and the Identity Split." Kulturowe przedstawienia psychiatrii i chorób

psychicznych. Ed. Katarzyna Szmigiero. Piotrków Trybunalski: Piotrków Scientific

Press, 2009. 123-31.

---. "Openness and Light in the Dialogue between the North and the South - Selected Poems

by Contemporary Irish and Greek Poets." The Playful Air of Light(ness) in Irish

Literature and Culture. Ed. Marta Goszczyńska and Katarzyna Poloczek. Newcastle:

Cambridge Scholars, 2011. 17-29.

---. "Seamus Heaney on Zbigniew Herbert. Affinities." Studies in Literature and Culture in

Honour of Prof. Janicka-Świderska. Ed. M. Edelson. Lodz: U of Lodz P, 2002. 111-21.

---. ."Tom Paulin and Ulster: Subversion or Sabotage?" 1916 and Irish Literature, Culture and

Society. Irish Studies in Europe 6. Ed. Sean Crosson and Werner Huber. Trier: WVT,

2015. 167-82.

Ojrzyńska, Katarzyna. “The Irish Attitude towards the Body and the Beckettian Dramatic

Oeuvre.” Back to the Beckett Text. Ed. Tomasz Wiśniewski. Vol. 2. Gdansk: U of

Gdansk P, 2012. 139-53.

---. “‘Looking for martyrdom?’: Enda Walsh and Steve McQueen’s Hunger.” The Theatre of

Enda Walsh. Ed. Mary P. Caulfield, and Ian R. Walsh. Dublin: Carysfort, 2015. 131-50.

---. “Music and Metamusic in Beckett’s Early Plays for Radio.” Beckett and Musicality. Ed. Sara

Jane Bailes, and Nicholas Till. Farnham, Surrey: Ashgate, 2014. // New York:

Routledge, 2016. 47-62.

---. “A New Lens on Tending the Irish Sectarian Wound: Vincent Woods’s At the Black Pig’s

Dyke.” Authority and Wisdom in the New Ireland. Reimagining Ireland 73. Ed. Carmen

Zamorano Llena, and Billy Gray. Oxford: Peter Lang, 2016. 241-58.

---. “‘Where Beauty has no ebb, decay no flood, / But joy is wisdom, time and endless song’:

Joy of Life Emancipated in W. B. Yeats’s The Land of Heart’s Desire.” Changing

Ireland: Transitions and Transformations in Irish Literature and Culture. Ed. Katarzyna

Poloczek, and Marta Goszczyńska. Lodz: U of Lodz P, 2010, 93-105.

Poloczek, Katarzyna. “Beyond the Border of Body and Language. Moving On: Shapeshifting

of Irish Women’s Location in Paula Meehan’s Poetry.” Dissolving the Boundaries. Ed.

Dorota Filipczak. Lodz: U of Lodz P, 2001. 51-65.

---. “Identity as Becoming: Polymorphic Female Identities in the Poetry of Boland, Meehan and

Ní Dhomhnaill.” Liminal Borderlands: Irish Literature and Culture. Re-imagining Ireland

9. Ed. Irene Gilsenan Nordin and Elin Holmsten. Oxford: Peter Lang, 2009. 131-50.

---. “Integrating the Split Irish Female Selves in the Poetry of Paula Meehan, Mary

O’Donoghue, Moya Cannon and Mary O’ Malley.” The Cultural Representations of

Psychiatry and Mental Illness. Ed. Katarzyna Szmigiero. Piotrków: Naukowe

Wydawnictwo Piotrkowskie, 2009. 221-31.

---. “Ironies of Language and Signs of Existence in Contemporary Irish Women’s Poetry:

Sinéad Morrissey’s Between Here and There, Paula Meehan’s Dharmakaya and Eavan

Boland’s Code.” Ironies of Art/Tragedies of Life. Ed. Liliana Sikorska. Frankfurt am

Main: Peter Lang, 2005. 275-300.

---. “Paula Meehan’s Pillow Talk – the Chronicles of Shape Changing.” Studies and

Monographs. From the Peripheries to the Centre: Essays in (Anglo-)Irish Literature.

Ed. Joanna Burzyńska and Danuta Stanulewicz. Lublin: Wydawnictwo UMCS, 2001.

113-29.

“Whose Colony’? Irish Women Poets and Postcolonialism.” PASE Studies in Literature and

Culture. Ed. Magdalena Cieślak and Agnieszka Rasmus. Lodz: U of Lodz P, 2008. 319-

34.

Stalmaszczyk, Piotr. “From ‘ambassador’ to ‘whisky’: A Note on Celtic Elements in

Contemporary Polish Vocabulary.” Dimensions and Categories of Celticity. Studies in

Language. Ed P. Stalmaszczyk, and M. Fomin. Lodz: U of Lodz P, 125-31.

Stalmaszczyk, Piotr, and Grainne Elmore. “Landscapes, Places, and Names in Irish

Literature.” From the Peripheries to the Centre. Essays in (Anglo-)Irish Literature. Ed.

J. Burzyńska and D. Stanulewicz. Lublin: UMCS, 2001. 9-24.

Translations

Jarniewicz, Jerzy, trans. Hotel Finna [Finn’s Hotel] by James Joyce. Warszawa: Wydawnictwo

W.A.B., 2015.

---, trans. Morze [The Sea] by John Banville. Cracow: Znak, 2007.

---, trans. Portret artysty w wieku młodzieńczym [A Portrait of the Artist as a Young Man] by

James Joyce. Wrocław: Biuro literackie, 2005, 2016.

---, trans. Sześć poetek irlandzkich [Six Female Irish Poets]. Wrocław: Biuro literackie, 2012 -

a collection of poetry by Paula Meehan, Medbh McGuckian, Eiléan Ní Chuilleanáin,

Sinéad Morrissey, Leontia Flynn, Nuala Ní Dhomhnaill.

---, trans. Zaćmienie [Eclipse] by John Banville. Warszawa: Wydawnictwo W.A.B., 2004.

Lachman, Michał, trans. “Niebo w dłoniach” [“A Handful of Stars”] by Billy Roche. Polityka,

historia, tożsamość. Antologia współczesnego dramatu irlandzkiego Cracow: Panga

Pank, 2009. 173-239.

---, trans. “Niewinność, czyli życie i śmierć Michelangela Merisi da Caravaggio” [“Innocence:

The Life and Death of Michelangelo Merisi, Caravaggio”] by Frank McGuinness.

Wspomnijcie synów Ulsteru i inne sztuki. Warszawa: Adit, 2012. 91-155.

---, trans. “Piękność z miasta Belfast” [“The Belle of Belfast City”] by Christina Reid. Polityka,

historia, tożsamość. Antologia współczesnego dramatu irlandzkiego Cracow: Panga

Pank, 2009. 239-315.

---, trans. “Wspomnijcie synów Ulsteru” [“Observe the Sons of Ulster Marching towards the

Somme”] by Frank McGuinness. Wspomnijcie synów Ulsteru i inne sztuki. Warszawa:

Adit, 2012. 15-91.

Stalmaszczyk, Piotr, trans. Druidzi [The Druids] by Peter Berresford Ellis. Warszawa:

Wydawnictwo Cyklady, 1998.

OTHER

Kosmalska, Joanna. Polish (E)Migration Literature in Great Britain and Ireland since 2004,

(2011-2015). Project no. DEC-2011/01/B/HS2/05120 financed by the National Science

Centre: http://emigracja.uni.lodz.pl/en/; the author and co-leader of the project.

Kruczkowska, Joanna. Role of Contemporary Northern Irish Poetry in the Context of the

Conflict in Ulster. Paris: Université Paris III-Sorbonne Nouvelle, and Lodz: University of

Lodz, 2003. [unpublished Ph.D. thesis] Available at:

http://www.theses.fr/2003PA030134.