Jagna Ciuchta

MISSING ALINA, WIELS (...)

Na kolejnych stronach znajduje się wybór fotografii z cyklu MISSING ALINA, WIELS. AftEr thE ExhIbItIoN «ALINA SzA-poczNIkoW : ScuLpturE uNdoNE, 1955-1972», WIELS, bruSSELS, 2012 ; curAtEd by ELENA fILIpovIc ANd JoANNA MytkoWSkA, ScENoGrAphy by kWINtEN LAvIGNE, zrealizownego w pustych przestrzeniach i scenografii wys-tawy, w trakcie jej demontazu, w styczniu 2012 roku.

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Widok wystawy Alina Szapocznikow: Sculpture Undone, 1955-1972 w Centrum Sztuki WIELS w Brukseli, 2011. Photo : Filip Vanzieleghem (zdjęcie pochodzi ze strony http://www.wiels.org/event.php?event_id=432)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

MISSING ALINA. thrEE hEAd-ShApEd cErAMIc vASES WIth fLoWErS. After the exhibition Alina Szapocznikow: Sculpture undone, 1955-1972, WIELS, brussels, 2012; curated by Elena filipovic and Joanna Mytkowska, scenography by kwinten Lavigne.

La simulation — wystawa Jagny Ciuchta i Julie Vayssière, Kurator Damien AiraultTreize, 24, rue Moret 75011 Paris, 2012

Ta rzeźba jest rekonstrukcją z pamięci, modułu należącego do scenografii wystawy Szapocznikow w WIELS. Proporcje i wy-miary rzeźby sa bez zwiazku z oryginałem.

What a strange thing to own a concept, a gesture, and to see its consequences slip away from our very hands.Then, sometimes, I tell myself that both the works of art and the exhibitions should appear without decisions; then, moreover, without ideas, should come up, with the evidence of leaves that grow up from a tree, with their own intelligence, with the neces-sity to inscribe themselves in a cycle, but without intentions.Because, as Baudrillard wrote, appea-rances are immortal, invulnerable to the meaning or of non-meaning itself.I have got to gather a few thoughts about the context though, and to say again that art is a matter of imitation, often an imitation of art itself, for better or for worse; and that it carries illusions, their correlative disen-chantments, but also, of course, seduction.

Damien Airault

Jagna Ciuchta, MISSING ALINA, thrEE hEAd-ShApEd cErAMIc vASES WIth fLoWErS (...)

Jagna Ciuchta, MISSING ALINA, thrEE hEAd-ShApEd cErAMIc vASES WIth fLoWErS (...)

Missing AlinA. iMg_7801, (with Missing AlinA. Three heAd-shA-Ped cerAMic vAses wiTh flowers. After the exhibition Alina Szapocznikow: Sculpture Un-done, 1955-1972, WIELS, Brussels, 2012; curated by Elena Filipovic and Joanna Mytkowska, scenography by Kwinten Lavigne.) After the exhibition «La simulation» - curated by Da-mien Airault, Treize, Paris, 2012.

A series of photographs.

Missing AlinA. Archives.

After the exhibition Alina Szapocznikow: Sculpture Un-done, 1955-1972, WIELS, Brussels, 2012; curated by Elena Filipovic and Joanna Mytkowska, scenography by Kwinten Lavigne. Mixed technique, variable dimen-tions, La Fabrique, Université de Toulouse le Mirail, 2012.

Missing AlinA. Archives.

After the exhibition Alina Szapocznikow: Sculpture Un-done, 1955-1972, WIELS, Brussels, 2012; curated by Elena Filipovic and Joanna Mytkowska, scenography by Kwinten Lavigne. Mixed technique, variable dimen-tions, La Fabrique, Université de Toulouse le Mirail, 2012.

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)

Jagna Ciuchta, MISSING ALINA, WIELS (...)