GEROULD, Daniel. Discovery of Witkiewicz

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    la

    nguish

      in ja

    il , W ah

    azar h

    imse l

    f is sh

    oved

    by

    some

    one fr

    om

    abov

    e

    t

    h rough

      the h

    uge ir

    on

    prison

      d

    oor and r

    o lls do

    wn th

    e  s ta i r

    s   to th

    e  

    floo

    r. Th

    ere is

    a lways

      some

    one a

    bove e

    ven

    the

      t opmo

    st kic

    ker,

    to kick

     

    h

    im in

    turn-t

    he

    m

    yster

    io us TH

    EY w

    ho rea

    lly rul

    e  by s

    ecret

    c

    onspir

    acy.

    Portra

    it y W

    itkiew

    icz  Cou

    rtesy:

      Slups

    k   Mus

    eum

    Sw

    earin

    g-of a s

    ixth-d

    im ensi

    onal so

    rt-ac

    comp

    anies

    the k ic

    k ing a

    nd is

    an ess

    ential

     

    W i

    tkac ian

      form

      o

    f

    ag

    gressio

    n, alo

    ng wit

    h   f ist

    figh

    ts and

      pisto

    l shots

      (mos

    t o

    f

    W

    itk iew i

    cz s

    c

    harac

    ters se

    em to

      be am

    ateur

     b oxer

    s  and

    a

    lmos t

    ll carr

    y re v

    olvers

    in the

    ir   pock

    e ts,

    e

    ven the

    ir paj

    am a p

    ockets

    ). Wh

    en W a

    hazar

    6

     

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    GYUBAL WAHAZAR*

    or

    n

    the Mountain Passes of the Absurd

    A Non-Euclidean Drama in Four

    Acts

    by

    Stanis-taw lgnacy Witkiewicz

    92

    EXCERPTS

    from ACT I: " Gyubal Wahazar's Principles

    of

    Government

    WAHAZAR I'm sacrificing myself for all of

    you . None of you can appreciate

    that and I don 't expect you to. I

    know you say atrocious things

    about me. I don't want to know

    anything about that. I don't have

    informers and I'm not going to ,

    any more than I have ministers. I

    am alone, l ike God. I alone rule

    everything, and I'm responsible for

    everything, and only to myself

    alone. I can condemn myself to

    death, if I feel like t if I become

    absolutely conv inced

    that

    I'm

    wrong. I don't have any min

    isters- therein lies my greatness.

    I'm a single so litary spiri t- l ike

    the steam in an engine, like the

    electrical power in a battery.

    . .

    WAHAZAR Dr. Rypmann, don't let anyone in

    to see

    me

    today until two P.M.

    I have a meeting with the A lbanian

    ambassador. Some nobody there's

    started pretending to be me, and

    they're having trouble with him.

    Pretending to be me Ha Did you

    ever hear

    of

    such a thing , Dr. Ryp

    mann Eh? .And they're asking

    me for advice. Ha Ha I'll teach

    them a little Albania. We'll send

    the prince of Valpurgia there as

    ambassador. He 'll show them a

    thing

    or

    two. Appoint traitors as

    ambassadors. A superb method.

    The sixth dimension The Non

    euclidean state Ha Ha Ha

    Ha Ha Ha (He chokes in an

    attack

    of

    infernal laughter,

    froth

    ing at the mouth.)

    6 7

    from

    Act

    II : " Gyubal Wahazar Relaxes"

    PIGGYKINS Grandpa,

    look

    me in the left eye.

    (Wahazar leans over and looks

    her in

    the

    eyes.) I see your soul ,

    your tired little soul.

    It

    's blue

    and walks through moss and

    squashes little bugs which are in

    love. (Wahazar sits as

    if

    hypno

    tized in front of her on the

    ground.)

    WAHAZAR You're taking my loneliness away

    from me, Piggykins. (closes his

    eyes) With you I'm not alone.

    Somewhere very far away I see a

    completely different world, a kind

    of meadow in the middle o f the

    woods. I see you as a young lady,

    with a big dog and a young man

    . . . h

    , God It's me (Piggykins

    strokes his hair. Wahazar covers

    his closed eyes with his hand.)

    PIGGYKINS (quietly) Keep on

    going

    and

    look Don't turn

    your

    eyes away

    from what you see.

    WAHAZAR God It's me. How long it's been

    since I've seen meadows and

    trees. I see butterflies: chasing

    one another . . . Lead me wherever

    you want, Piggykins. I' ll

    do

    any

    thing you say.

    " Gyubal Wahazar Creates

    Darkness"

    WAHAZAR (roars) Haaaaaa That's enough

    1 am alone (to First Hangman)

    Let there be night (First Hang

    man covers the

    window with

    a

    Pronounced ubal Vahazar.

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      y

    ubal Wahazar

     

    Dress 

    rehearsal

    or 

    p

    roduct ion sch

    eduled

    or

    Te

    atr Narodowy 

    March 1969 

    Directed by W

    anda Laskow s

    ka wi th Stan is

    taw Laczyk a

    s Gyubal W ah

    azar and

    Barbara

      Kraf f towna a

    s Piggykins

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    black drape. A moment of com

    plete darkness.

    Third

    Hangman

    lights the electric

    light

    above. To

    the Fourth Hangman) Morbidetto,

    you'l l never

    kill

    me. You're a lying

    guttersnipe

    just

    like them. Splat

    tered up

    to

    my ears in the molten

    lava of mysteries, I' ll forge on to

    the very end,

    to

    those final

    preci

    pices. I'm like a

    black star

    against

    the white-hot night

    from ACT IV: "Gyubal

    Wahazar's Death"

    WAHAZAR I live in indeterminateness. I feel

    I'm everything. I'm glutting my

    self on all Existence. Everything

    is stretching out into Infinity. Kill

    me,

    or

    I'll burst with delight at my

    own sel

    f

    Oh What happiness

    What bliss Not

    to

    know who one

    is to be everything (He

    stretches out his hands in

    front

    of

    him

    in

    wild

    rapture. Piggykins

    gets up.)

    PIGGYKINS Grandpa, grandpa Stop being

    so

    beautiful Don 't

    talk that

    way (She goes numb with

    rapture, looking at Wahazar.)

    FATHER UNGUENTY (giving a sign

    to Morbi

    datto), Morbidetto, it's

    time, its high time

    (Morbidetto dashes

    from the door

    and

    throws the lasso over

    Wahazar's neck.

    Wahazar falls back

    with his hands held out

    in front. Morbidetto

    pulls the noose tight,

    standing with his foot

    on

    Wahazar's chest.

    Wahazar kicks a couple

    of times with his feet

    and dies. Silence.)

    PIGGYKINS (falls on Wahazar's corpse) I

    loved him and only him (She

    embraces him and freezes in that

    pose.)

    FATHER UNGUENTY It 's happened We're

    free Dr. Rypmann, cut

    out his glands immedi

    ately,

    those-you

    know

    -Carioxitates Rypman

    ni, and prepare a

    trans

    plant

    for me, while

    they 're still warm. I'm

    old, but I have the

    strength of ten. All

    right, Dr. Rypmann, get

    moving.

    (Murmur

    in

    the crowd. Father

    Unguenty whistles

    through his fingers.

    Through the left door

    the guard runs in with

    a platoon commander

    dressed just like

    Gnumben. Through

    th;e

    center door Father

    Pungenty pushes

    through the

    crowd

    with

    two Pneumatics.) Drive

    them all out into the

    courtyard. A new

    edict

    will be read there.

    Now

    I am Unguenty

    Wahazar in one person.

    I've always been. Fix

    bayonets *

    Translated

    by

    Daniel

    and

    Eleanor Gerould,

    ©

    Copyright

    1970. Six plays

    of

    Witkiewicz ap-

    pear in The Madman and the Nun and Other

    Plays

    University

    of

    Washington Press), a

    seventh,

    The Cuttlefish , is in

    Gassner

    Dukore,

    A Treasury of the Theatre Holt,

    Rinehart and Winston). Gyubal Wahazar will

    be included in new collection

    of five plays,

    Metaphysics of a

    Two

    -Headed Calf