CAMILLA PINTONATO

GRAPHIC DESIGNER / ILLUSTRATORVIA ALEARDI 140 - 30172 MESTRE (VE)

VAT 04501710273T +39 3487481242E CAMILLA.PINTONATO@GMAIL.COMW WWW.CAMILLAPINTONATO.COM

CV

PUBLICATIONS

PLEINE LUNEComme des géants (author)

QUESTO NON È UN POLLOClichy (author)

IL SOLE DI NOTTEFabbri Editori

MY MINI TOSCANA ROMA / PUGLIA Sime Books

L’ODISSEA DI OMEROIN GRECIA Feltrinelli

EMPLOYMENT

FREELANCE ILLUSTRATOR AND GRAPHIC DESIGNER

DEAGOSTINI SPAGraphic designer and illustrator

CURATING

PELOIndipendent magazine

2019

2019

2019

2017

2018

2015

2013

2015

2013

2013

2011 / 2012

2014 — 2016

2015

2014

SELECTED CLIENTS

Feltrinelli, Deagostini, Einaudi, Nova mobili, Fabbri, Banca Etica, T Fondaco, Clementoni, Princeton Architectural Press, Seuil, Milk Studio, Dogtrot

EDUCATION

ISIA (PU) MA degree in Communication and Design for Publishing (with full marks and honors)

WERKPLAATS TYPOGRAFIE SUMMER SCHOOL (PU)Armand Mevis, MaureenMooren, Leonardo Sonnoli and Barbara Visser

MIMASTER (MI)Master in editorial illustration

IUAV (VE)BA in Graphic Design and Visual Communication (with full marks and honors)

INTERNATIONAL SCHOOL OF ILLUSTRATION (TV)

AWARDS

SILENT BOOK CONTESTFinalist “Lanterns”

GOETHE INSTITUT ILLUSTRAFirst prize

POSTER HEROES #2 Selected

EXHIBITIONS

EL VENEXIAN (VE)

SENTIERI ILLUSTRATI (PN)

FAHRENHEIT 39 (RA)

GRAPHIC DESIGN WEEK (ISTANBUL)

FISIAnomia (PU)

AIAPzine

PROGRAMS

Photoshop, Illustrator, Indesign, AfterEffect, Acrobat, Preps

2017 / 2018

2016 / 2017

2017

2019

2016

20142013 — 2014

2014 — 2019

2016 — 2019

INDEX

SELECTED PROJECTS / GRAPHIC DESIGN

WE FUND LOVEANIMA CAVAARTE + TECNOLOGIA = DESIGN?AGENDA IL MARENO (COME STILE DI VITA)GINA ALLA DIREZIONE!PELO MAGAZINE

WE FUND LOVE

Client Fondazione Levi / CloserYear 2019Coll. Chiara Cesaretti

We created the logo and corporate identity for the sacred music concert in aid of fundraising for the restoration of the organ of the Church of Mdonna dell’Orto in Venice.

WE FUND LOVE

WE FUND LOVE

ANIMA CAVA

ISIA Personal project Year 2016Coll. Manon Fraysse, Francesca Santi

Anima cava comes from the dialogue with Venetian citizens. We have discovered a simple and authentic city, linked to the lagoon, to work, to friends, to travel and to imagination, a very different city from the one that sells us the tourist industry. We have also understood that “personal stories” are a formidable tool to understand and involve people.

Thus in spring 2016 Anima cava was transformed into a three-day exhibition, intended not as an exhibition of works but as a narrative experience in which the visitor became an active reader leaving his contribution, his image of Venice.

It seems to us that in the last decades the city has gone lost in an image in which its people do not recognize themselves, an image made of luxury, of large ships, of “made in China” masks. Venice is losing its people and so its soul. To a city “to behold” we must replace a “living” one.

ANIMA CAVA

ANIMA CAVA

ARTE + TECNOLOGIA = DESIGN?

ISIA Personal projectYear 2015Coll. Francesco Laera

A + T = D? it is an essay on the relationship between the visual arts and the technologies developed in the twentieth century in which the criticalities present in an experimental approach to the graphic profession are investigated. The photograph on the cover was made by breaking an old computer with a drill and inserting a knife.

Only later we discovered that the computer could have exploded due to the compressed gas on the screen inside it. We are still alive.

ARTE + TECNOLOGIA = DESIGN?

ARTE + TECNOLOGIA = DESIGN?

AGENDA IL MARE

Client Coccole Books / LegambienteYear 2018

The agenda is an intimate and daily tool to raise awareness of the great ecological disaster of the seas and oceans. The graphic project I created revolves around the twelve illustrations of Mediterranean marine life.

Stories of the sea, information and scientific curiosity remind us that the sea is a wonderful resource and necessary for the survival of the planet and that we must take care of it.

AGENDA IL MARE

AGENDA IL MARE

AGENDA IL MARE

AGENDA IL MARE

NO (COME STILE DI VITA)

ISIA MA final project Year 2017Speaker Chiara CarrerFont Forma / Leonardo Azzolini

NO is a comic about contemporary economy, capitalism and work. The protagonist - a stylized myself in the form of a stick man with a skirt - tries to orient herself in the economic word.

The work was the product of a year of my life in which I set myself the goal of understanding something more of economy, and, above all, of understanding where my discomfort towards the world of contemporary work came from.

I honestly did not reach any conclusion but I clash with the concepts of consumerism, globalization and neoliberalism, with a world of work in decline, with a violent art of protest and finally with a nature catapulted towards collapse.

I have to admit that if it were not for the slatted legs and the empty gaze of the protagonist, a bit thick and often incompetent, it would be a very sad book.

NO (COME STILE DI VITA)

NO (COME STILE DI VITA)

NO (COME STILE DI VITA)

NO (COME STILE DI VITA)

GINA ALLA DIREZIONE!

ISIA Personal projectAnno 2016Collab. Manon Fraysse, Elsa Moro, Irene Sgarro

At the dawn of the elections of the new ISIA director we organized a debate between the possible candidates. With the pretext of a fictitious candidate, “Gina Toccafondo”, whose posters and electoral campaign we made, we invited all the students of the faculty (who do not have the right to vote) to intervene in the dialogue.

In the days before the event a ballot box was placed at the entrance of ISIA to allow everyone to write their request or proposal; during the debate, the students also had the opportunity to “vote” for the candidate whose answers they appreciated most.

dibattito

direttorecandidaturaelettorale

in occasione delle elezioni per il futuro direttore, gli studenti invitano i candidati a esporre le loro idee

interverranno al dibattito: b. bandini, j. pierini, d. riboli, l. romei, g. toccafondo

auditorium collegio tridentegiovedì 16 giugno ore 18:30–19:30

GINA ALLA DIREZIONE!

PELO MAGAZINE

AD Camilla PintonatoYears 2016 / 2017 / 2018 Link http://www.pelomagazine.comColl Andrea Antinori, Alessandra Belloni, Lucia Biancalana, Eugenio Bertozzi, Marella Bessone, Marco Brancato, Francesca Campagna, Marco Caputo, Giovanni Colaneri, Giulia Conoscenti, Alice Corrain, Cripsta, Chiara Dal Maso, Francesco Del Re, Massimiliano Di Lauro, Elisabetta D’Onghia, Eugenia Durante, Carlo Esposito, Virginia Gabrielli, Maria Gabriella Gasparri, Elena Guglielmotti, MartÍn LÓpez Lam, Veronica Malatesta, Edoardo Massa, Naida Mazzenga, Maria Clara Mitta, Marcin M. Czołowski, Paola Momenté, Antonia Panella, Giulia Pastorino, Pelo di Cane, Helga Pèrez Gòmez, Alice Piaggio, Camilla Pintonato, Giulia Piras, Carmen Pisanello, Claudia Plescia, Davide Bart Salvemini, irene sgarro, Jacopo Starace, Elías Taño, Giulia Tassi, Lorenzo Vargas, Massimiliano Vitti

PELO is an annual magazine founded by a collective of illustrators. Initially conceived as an outlet, it has become an ever-changing editorial project that bluntly addresses an irreverent subject in every issue.By choosing to be our own committees we have the

opportunity to bring illustration into the foreground, to structure the project so that the visual power of different styles is intensified, and to focus on visual reinterpretation rather than on translating content literally.

Through PELO we have set ourselves the goal of working with contributing illustrators who share our philosophy and producing a creative space where exciting, innovative, and knowledgeable work thrives. We believe this is the opportunity to freely produce something together while also having fun, in order to establish a direct dialogue based on irony with the public.

For these reasons we autonomously manage the processes of production, distribution and sales, thus achieving an otherwise unattainable degree of independence.

Pelo has just become a cultural association and a small publishing house in all respects, with the aim of producing not only the magazine but other books, organizing exhibitions, presentations and meetings with illustrators all over Italy.

PELO MAGAZINE

PELO MAGAZINE

PELO MAGAZINE

PELO MAGAZINE

PELO MAGAZINE

PELO MAGAZINE

INDEX

SELECTED PROJECTS / ILLUSTRATION LOVEVILLEQUESTO NON È UN POLLO PLEINE LUNELA FRECCIA AZZURRA20 ANNI DI BANCA ETICAL’ODISSEA DI OMEROWINDOWS FOR FONDACO DEI TEDESCHI

PLEINE LUNE2019 / Comme des géants

LA FRECCIA AZZURRA2019 / Einaudi Ragazzi

CHICKENOLOGY2021 / Papress + Gingko

LOVEVILLE2020 / Comme des géants

NO 2017 / thesis ISIA

QUESTO NON È UN POLLO2019 / Clichy

L’ODISSEA DI OMERO2015 / Feltrinelli

L’ODISSEA DI OMERO2014 / Feltrinelli

MY MINI TOSCANA2016 / Sime Books

LOVEVILLE

Publisher Comme des géantsRole IllustratorYear 2020Technique Digital

LOVEVILLE

QUESTO NON È UN POLLO

Publisher Edizioni ClichyRole Author and illustratorYear 2019Technique Digital

QUESTO NON È UN POLLO

PLEINE LUNE

Publisher Comme des géantsRole Author and illustratorYear 2019Technique DigitalContest Silent Book Contest Finalist

PLEINE LUNE

LA FRECCIA AZZURRA

Publisher Einaudi RagazziRole IllustratorYear 2019Technique Digital

Einaudi Ragazzi

Einaudi R

agazzi€ 16,90

Einaudi Ragazzi

il romanzo di Gianni rodari piú venduto al mondo.

«Cipollino non è un bambino indifeso e fragile, ma un incrocio tra Peter Pan e Robin Hood, un po’ guitto e un po’ corsaro. Con mille astuzie e senza la minima sudditanza per il potere costituito, a ogni avventura lo sbeffeggia di piú, lo irride piú profondamente e lo prende per il naso, riuscendo sempre a ristabilire per tutti, se non la libertà stessa, almeno la voglia di essere liberi».

michela murGia

rodarila freccia

azzurra

rodari

la freccia azzurraG

ianni

Gianni

Introduzione di Neri MarcorèIllustrazioni di Camilla Pintonato

LA FRECCIA AZZURRA

LA FRECCIA AZZURRA

20 ANNI DI BANCA ETICA / BANCANOTE

Client Banca EticaArt dir Co.Mo.Do / Marco Tortoioli RicciRole IllustratorYear 2019Technique Digital

20 ANNI DI BANCA ETICA / BANCANOTE

20 ANNI DI BANCA ETICA / BANCANOTE

20 ANNI DI BANCA ETICA / BANCANOTE

HOMER’S ODYSSEY

Client FeltrinelliArt dir Cristiano GuerriRole IllustratorYear 2015 Technique Digital

HOMER’S ODYSSEY

HOMER’S ODYSSEY

WINDOWS FONDACO DEI TEDESCHI

Client DFSArt dir Giampaolo Di FinoRole Illustrator and designerTechnique Digital / plexiglass / led

1 F/W 20182 CARNIVAL 2019

WINDOWS FONDACO DEI TEDESCHI